Måleriet identifieringen:: 39425
The birth of the virgin mk146
Italian Schule,15.Jh. Anna mounted washed becomes itself in bed during (in the foreground) the wrapped baby Maria by a nurse
b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
Måleriet identifieringen:: 42436
Den Födseln om den jungfru mk168 297x210mm b.May 21, 1471, Imperial Free City of N??rnberg [Germany]
d.April 6, 1528, N??rnberg
Måleriet identifieringen:: 62993
The Birth of the Virgin 1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua The six scenes on the wall opposite to the scenes from the life of Joachim show the Birth of the Virgin, the Presentation of the Virgin in the Temple, and the four episodes pertaining to her marriage: the Rods brought to the Temple, the Prayer of the Suitors, the Marriage of the Virgin and the Wedding Procession. The birth of the Virgin takes place in the same house as the annunciation to Anne. In the small room, somewhat too narrow for the figures, Anne sits up in bed and is handed the baby in its swaddling clothes by a nursemaid. The child appears for a second time in the idyllic scene in front of the mothers bed. As in the Annunciation scene, Giotto also shows the view of the building from outside. He does not divide interior and exterior, but connects them using the two women. Artist: GIOTTO di Bondone Painting Title: No. 7 Scenes from the Life of the Virgin: 1. The Birth of the Virgin , 1301-1350 Painting Style: Italian , , religious Italian Early Renaissance Painter, 1267-1337
Måleriet identifieringen:: 63939
The Birth of the Virgin 1365 Fresco Rinuccini Chapel, Santa Croce, Florence Agnolo Gaddi, Giovanni da Milano, and Altichiero da Zevio competed in the development of Giotto's figurative space. The plane of the wall as the foremost level of fictive space, combined with perspective in depth, remains. But the paintings of the Rinuccini Chapel in Santa Croce in Florence in 1365 by Giovanni da Milano points up the further possibilities of pictorial architecture in its ornamental framing. The compressed space loses its importance as architectural space and gains in decorative elegance, though even here the figures in the story of the Virgin act within an architectural stageset. The poetry of their movements reflects the refined patterns painted on the frame.Artist:GIOVANNI DA MILANO Title: The Birth of the Virgin Painted in 1301-1350 , Italian - - painting : religious Italian Gothic Era Painter, active 1350-1369
